In this hefty, thoroughly enjoyable biography of Gertrude Bell (1868–1926), English journalist Howell describes her subject as not only "the most famous British traveler of her day, male or female" but as a "poet, scholar, historian, mountaineer, photographer, archaeologist, gardener, cartographer, linguist and distinguished servant of the state." As Howell observes, "Gertrude always had to have a project," and she manages to bring those multitudinous projects, studies and adventures to life on the page. "I decided," Howell writes, "to use many more of her own words than would appear in a conventional biography": a felicitous decision when the subject's letters, diaries and publications are as seamlessly incorporated in Howell's engaging text as they are. Bell's role in the creation of Iraq and the placement of Faisal upon the throne, is fully detailed, both to honor her power and to haunt us today. But the strength and delight of Howell's superb biography is in the fullness with which Bell's character is drawn. Having clearly fallen in love with her subject (though not blind to her warts), Howell leaves no stone unturned—family history, school days, Bell's clothes, sometimes her meals, her friendships, her servants, her thousands of miles traveled, her fluency in languages (Persian, Turkish, Arabic) and, yes, her romances.

The fourth Thursday of every month all fiction, nonfiction, and poetry writers are invited to gather and share their best creative nuggets! This is a great opportunity to try out new material as well as get comfortable speaking in front of an audience. If you are interested please contact the bookstore directly at 650-726-8610 to guarantee a slot. Everyone is welcome -- you don't need to be a be a writer to participate. Please join us for these evenings of creativity, voice and community.

The remarkable odyssey of a classical guitar prodigy who abandons his beloved instrument in defeat at the age of twenty-five, but comes back to it years later with a new kind of passion. With insight and humor, Glenn Kurtz takes us from his first lessons at a small Long Island guitar school at the age of eight, to a national television appearance backing jazz legend Dizzy Gillespie, to his acceptance at the elite New England Conservatory of Music. He makes bittersweet and vivid a young man’s struggle to forge an artist’s life—and to become the next Segovia. And we see him after graduation, pursuing a solo career in Vienna but realizing that he has neither the ego nor the talent required to succeed at the upper reaches of the world of classical guitar—and giving up the instrument, and his dream, entirely. Or so he thought. For, returning to the guitar, Kurtz weaves into the larger narrative the rich experience of a single practice session, demonstrating how practicing—the rigor, attention, and commitment it requires—becomes its own reward, an almost spiritual experience that redefines the meaning of “success.” Along the way, he traces the evolution of the guitar and reminds us why it has retained its singular popularity through the ages. Complete with a guide to selected musical recordings and methods, Practicing takes us on a revelatory, inspiring journey: a love affair with music.

Glenn Kurtz’s masterful account of his journey from aspiring concert soloist to, simply, musician, will speak to anyone who has cherished an ideal to the detriment–rather than the enrichment–of what is real. Is there hope for those of us who dream of an unattainable perfection? Perhaps, like Glenn Kurtz, we might fall short of perfection, abandon hope, and find an even better reason to make music (or write, or think, or work): love.
-Mark Salzman, author of Iron and Silk and The Soloist

Annie Dillard's books are like comets, like celestial events that remind us that the reality we inhabit is itself a celestial event, the business of eons and galaxies, however persistently we mistake its local manifestations for mere dust, mere sea, mere self, mere thought. The beauty and obsession of her work are always the integration of being, at the grandest scales of our knowledge of it, with the intimate and momentary sense of life lived. The Maytrees is about wonder -- in the terms of this novel, life's one truth. It is wonder indeed that is invoked here, vast and elusive and inexhaustible and intimate and timeless. There is a resolute this-worldliness that startles the reader again and again with recognition. How much we overlook! What a world this is, after all, and how profound on its own terms.
-Marilynne Robinson in the Washington Post